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Showing posts with label preamplifier. Show all posts
Showing posts with label preamplifier. Show all posts

Friday, May 17, 2013

Preamplifier Bass and Treble Controls

Preamplifier Bass and Treble Controls

Need a tone control, this module can be inserted into the chain between the Control Center and power amplifier. The circuit is based on an original design by Reg Williamson, published in Electronics World + Wireless World, circuit ideas, January 1991.

The tone control circuit will take the form of any of the traditional low treble adjustment, or the type of shelves, which is similar to a "tilt" control, but with separate bass and treble. Asymptotic slopes for both are about 4dB/octave, but begin to level off at 100 Hz and 10 kHz, with a maximum of ± 15 dB at the ends of the audio band.

Component values ​​in parentheses are the shelving of control. In this case, the platform starts around 250 Hz and 4 kHz, flatten to a maximum of ± 6dB an octave above or below the central point is 1 kHz. Reactive elements for low-end includes a generalized impedance converter, which simulates an inductor in series with a resistor (spinner).

When set to the centers of their respective electrical controls, equalizers reactive elements are almost out of circuit. With these settings, the circuit behaves as a unity gain amplifier with 100% negative votes. Still, the reactive elements can be changed completely with a DPST on / off.

As with the other modules in this series, each electronic card can be fitted in a standard: Hammond extruded aluminum cases are well suited to accommodate the tables in this preamp. In particular, instances of size 16 x 10.3 x 5.3 cm or 22 x 10.3 x 5.3 cm look very good when stacked. See below an example of the possible arrangement of the front and back of this module.
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Friday, April 12, 2013

Portable Microphone Preamplifier

High headroom input circuitry, 9V Battery operation

This circuit is mainly intended to provide common home stereo amplifiers with a microphone input. The battery supply is a good compromise: in this manner the input circuit is free from mains low frequency hum pick-up and connection to the amplifier is more simple, due to the absence of mains cable and power supply. Using a stereo microphone the circuit must be doubled. In this case, two separate level controls are better than a dual-ganged stereo potentiometer. Low current drawing (about 2mA) ensures a long battery life.

Circuit Operation:

The circuit is based on a low noise, high gain two stage PNP and NPN transistor amplifier, using DC negative feedback through R6 to stabilize the working conditions quite precisely. Output level is attenuated by P1 but, at the same time, the stage gain is lowered due to the increased value of R5. This unusual connection of P1, helps in obtaining a high headroom input, allowing to cope with a wide range of input sources (0.2 to 200mV RMS for 1V RMS output).

Portable Microphone Preamplifier Circuit diagram:
Portable Microphone Preamplifier Circuit Diagram

Parts:
P1 = 2.2K
R1 = 100K
R2 = 100K
R3 = 100K
R4 = 8.2K
R5 = 68R
R6 = 6.8K
R7 = 1K
R8 = 1K
R9 = 150R
C1 = 1uF-63V
C2 = 100uF-25V
C3 = 100uF-25V
C4 = 100uF-25V
C5 = 22uF-25V
Q1 = BC560
Q2 = BC550

Notes:
  • Harmonic distortion is about 0.1% @ 1V RMS output (all frequencies).
  • Maximum input voltage (level control cursor set at maximum) = 25mV RMS
  • Maximum input voltage (level control cursor set at center position) = 200mV RMS
  • Enclosing the circuit in a metal case is highly recommended.
  • Simply connect the output of this device to the Aux input of your amplifier through screened cable and suitable connectors.

Source :  http://www.ecircuitslab.com/2011/06/portable-microphone-preamplifier.html
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